Halle Lidner is a tall, slender woman with a fair complexion and golden hair worn in a medium-length cut.Halle's bangs are choppy, going straight across her forehead, and they reach her eyelids. Halle's appearance is a bit different in the video game, which shows her with slightly darker hair, blue eyes, and a jaw less broad than in the anime and manga."Monster's Ball" is in no rush to answer those questions.Relationships are confused, impulses contradicted, so it's our job to fill in the blanks.
Stripping off her makeup helps, but the movie works against its own purposes by flattering Berry's face with good lighting and dressing her in tight outfits that emphasize her curves.Thornton's character is no more believable than Berry's, but he delivers such an urgent, earnest performance that we can almost overlook the gross lapses in credibility and the 180-degree emotional pirouette that his character makes.Peter Boyle is also effective as Thornton's ailing, unrepentantly racist daddy.In the one-shot chapter set three years after Light's death, it is revealed that she continues to work for Near.The character Shoko Himura is an amalgamation of several characters including Halle Lidner, Naomi Misora, and Mello.
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Sometimes "Monster's Ball" hits the mark and achieves the tough, unvarnished eloquence that it aspires to.Other times it's muddy, overly ambiguous, and those eerie, open-ended longueurs that are meant to say so much with silence are no help at all.Halle cares for Mello, even trusting him to the point that she lets him hide in her flat.When she arrives at the scene of a fire, she is concerned when she realizes that Mello has died inside the burning vehicle.In two striking performances, Billy Bob Thornton plays Hank, a white death row prison guard in a rural Georgia penitentiary, and Halle Berry is Leticia, the African American woman with whom he falls in love after participating in her husband's execution.